![]() ![]() This type of pop prizes easily enjoyed melodies and sentiments it moves but does not challenge the hips and the feet. But pop also refers to a compositional tradition, one with go-to chords, structures, and tropes. That’s a funny concept to consider-isn’t popular music, definitionally, whatever’s popular? In one sense, yes. The recent state of commercial music has led to much commentary arguing that pop is dying, dead, or dormant. Almost nothing creates the sucrose high of Teenage Dream almost nothing sounds as if Smurfette might sing it. 1 on the American charts while capitalizing on it-but that doesn’t change the overall mood of the moment. A light disco resurgence may be brewing-BTS just strutted to No. Ultra-hummable singers such as Halsey and Billie Eilish are still on the radio, but they cut their catchiness with a sad, sleepy edge. The Billboard Hot 100 is largely the terrain of raunchy rap, political rap, and emo rap, with a smattering of country drinking songs thrown in. ![]() Regarding her new music’s likelihood of world domination, Perry told Apple Music’s Zane Lowe, “My expectations are very managed right now.”įor the younger class of today’s stars, Teenage Dream seems like a faint influence. Perry’s latest album, Smile, came out Friday. Swift keeps reinventing herself with greater seriousness, and little about her latest best seller, Folklore, scans as pop. Gaga, after a long detour away from dance floors, has returned to sounds and looks comparable to those of her early days, but she cannot bank on mass listenership for doing so. Beyoncé has turned her focus to richly textured visual albums that don’t necessarily spawn monster singles. Rihanna has put her music career on pause while building a fashion and makeup empire. Each singer achieved impressive things, though arguably none of their albums so purely epitomized pop-in commercial, aesthetic, or sociological terms-like Perry’s Teenage Dream did.Ī decade later, that early-2010s fantasy has ended, and Perry and her peers have seemed to switch gears. Taylor Swift trundled around in horse-drawn carriages. Kesha, glitter-strewn and studded, babbled her battle cries. Nicki Minaj flipped through personalities while wearing anime silhouettes and fuchsia patterns. ![]() Beyoncé shimmied in the guise of her alter ego, Sasha Fierce. Teenage Dream arrived amid a wave of female pop singers selling their own costumed fictions: Lady Gaga, a walking Gaudí cathedral, roared EDM operas. Perry wasn’t alone in achieving domination through colorful looks and stomping songs. 1 singles in the United States -a feat previously accomplished only by Michael Jackson’s Bad -and it went platinum eight times. (Maybe that’s because, like with so much classic Disney and Looney Tunes animation, the cuteness barely disguised a ton of raunch.) Teenage Dream generated five No. Kids loved the stuff, and adults, bopping along at karaoke or Starbucks, enjoyed it too. Perry’s music was cartoonish too: simple, silly, with lyrics stringing together caricature-like images of high-school parties, seductive aliens, and girls in Daisy Dukes with bikinis on top. She made her voice-acting debut, in 2011, by playing Smurfette. She titled one world tour “Hello Katy,” a nod to the Japanese cat character on gel pens worldwide. Everywhere you looked or clicked back then, there was Perry, wrapped in candy-cane stripes, firing whipped cream from her breasts, wearing a toothpaste-blue wig, and grinning like an emoji. “I am a walking cartoon most days,” Katy Perry told Billboard in 2010, and anyone who lived through the reign of Teenage Dream-Perry’s smash album that turned 10 years old on August 24-knows what she meant. Watch above via YouTube.Updated at 11:39 a.m. It's a strange, surprising time-capsule moment for both her, looking very unlike the glamorous mega-star of "Firework" fame, and the dreadlocked nu-metal band. She later joined the band when they promoted Testify as the musical guests on the Tonight Show. In addition to contributing to the record, Perry also appeared in the single's music video, which you can view below. "We invited her to participate on our record as she was and is still is one of the few pop artists with strong musicianship roots," Marcos Curiel told Rolling Stone in 2015, responding to erroneous categorizations of Perry as their "backup singer." The connection led to the 2005 collaboration "Goodbye for Now," featured on the group's sixth album, Testify. themselves a Christian band - hooked up with the 21-year-old singer though producer Glen Ballard. (Perry is the daughter of evangelical pastor Keith Hudson.) She eventually started using the Perry surname, and it was then that P.O.D. She had first tried to make in the music biz as a Christian singer-songwriter under the name Katy Hudson. At the time, Perry was still very much on the come up.
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